Dogen said, "Do not follow the ideas of others, but learn to listen to
the voice within yourself." Listen to the voice within yourself. What does
it say?
When Zen master Fa-ch'an was dying, a squirrel screeched on the roof.
It's "just this" he said, "and nothing more."
Listening
(E.L. Tessier)
"You hear them."
"Hear what?"
"Cut it out."
"No, really. Hear what?"
"The voices, stupid."
"What do they say?"
Trey glowered at me, clearly exasperated that I was maintaining the myth so many other people persecuted him with—that only he could hear the voices. But it was true. We only seemed to occupy a single reality. There were two, and his had the fuller soundtrack.
"Hear what?"
"Cut it out."
"No, really. Hear what?"
"The voices, stupid."
"What do they say?"
Trey glowered at me, clearly exasperated that I was maintaining the myth so many other people persecuted him with—that only he could hear the voices. But it was true. We only seemed to occupy a single reality. There were two, and his had the fuller soundtrack.
Turn towards, not away.
(Peter Einhorn)
Turn towards, not away.
Embrace!
Awareness of the noise,
Like a Klieg light,
Helps me see clearly.
Or is it a mirror?
Perhaps...
The ideas come from outside
But reach something inside
Not all, but part.
Like the eagle
On the back of a quarter.
It is there, always there
That voice in me
Telling me that I am what they say,
That things are as they will.
Ego!
It isn’t the ideas of others
But the voice in me accepting
That must be seen through.
I hear you frightened voice.
I see you.
I love you.
You are me.
Not all, but part.
And I love you, scared child.
Embrace!
Awareness of the noise,
Like a Klieg light,
Helps me see clearly.
Or is it a mirror?
Perhaps...
The ideas come from outside
But reach something inside
Not all, but part.
Like the eagle
On the back of a quarter.
It is there, always there
That voice in me
Telling me that I am what they say,
That things are as they will.
Ego!
It isn’t the ideas of others
But the voice in me accepting
That must be seen through.
I hear you frightened voice.
I see you.
I love you.
You are me.
Not all, but part.
And I love you, scared child.
Listen
(Emma Skogstad)
It will become so clear,
the voice that will arise
out of the whirling din,
free from the children whispering,
“Stay silent and safe”;
the teenagers swearing, laughing, cynical;
the jeering crowds roaring,
“Who do you think you are?”
Out of all that noise, this voice
Will be soft and certain:
“You are you,” it will say.
“Befriend everything.”
In words, in longing,
in a solitary quiver
deep within the body,
this voice will urge you on,
deeper and deeper
into your own messy humanity,
prodding you into grace and foolishness,
into heartbreaking misunderstandings
and merciful intimacy with your senses,
mud between your toes,
the soft hands of another on your hands.
It won’t direct you to bliss
or moral perfection, this voice,
but it will guide you in the direction
of your own authentic life,
where you will listen, ever attentive,
for reminders from the one that loves you.
the voice that will arise
out of the whirling din,
free from the children whispering,
“Stay silent and safe”;
the teenagers swearing, laughing, cynical;
the jeering crowds roaring,
“Who do you think you are?”
Out of all that noise, this voice
Will be soft and certain:
“You are you,” it will say.
“Befriend everything.”
In words, in longing,
in a solitary quiver
deep within the body,
this voice will urge you on,
deeper and deeper
into your own messy humanity,
prodding you into grace and foolishness,
into heartbreaking misunderstandings
and merciful intimacy with your senses,
mud between your toes,
the soft hands of another on your hands.
It won’t direct you to bliss
or moral perfection, this voice,
but it will guide you in the direction
of your own authentic life,
where you will listen, ever attentive,
for reminders from the one that loves you.
Puzzle
(Mike McCarthy)
I’ve played with the photo by adding what was at first white script, blocked each line of script (including the background) in rectangular selections, and then inverted the selected rectangles creating black script on a negative background. The next step was to select a larger rectangle encapsulating all of the script and background and inverting it… returning the first selection of rectangles back to positive (white letters), and the newly selected greater background to negative.
Notice the misplaced pieces of the puzzle’s border next to Kennedy’s image? They are supposed to fit on the opposite side where indeed there are similarly mismatched pieces. I have found that the more complex the puzzle, the greater the possibility the die has repeated itself. Though the continuity of the image may not be the same, the shape and fit of an individual piece or pieces suggests a different but equal and perhaps even greater validity. I keep this framed puzzle in my office to remind me of that small still voice that is resolved to alter our cookie cutter image of reality.
Notice the misplaced pieces of the puzzle’s border next to Kennedy’s image? They are supposed to fit on the opposite side where indeed there are similarly mismatched pieces. I have found that the more complex the puzzle, the greater the possibility the die has repeated itself. Though the continuity of the image may not be the same, the shape and fit of an individual piece or pieces suggests a different but equal and perhaps even greater validity. I keep this framed puzzle in my office to remind me of that small still voice that is resolved to alter our cookie cutter image of reality.
The voice within ...
(Liana E Dawson)
The voice within is not the incessant chattering of your “I.” It is not the right, the wrong of your mind. The voice says not “he said, she said.” It cares not of pomp and circumstance or of happy and sad, wealth and poverty. There is no anger, no disturbance, no desire, no wanting. The voice has no words and no admonishing. It is a simple, subtle wind, turning you ever so gently towards peaceful, tranquil being.
Challenge #2: Crossing the Stream
Challenge: There’s a stream to cross and a raft to get us there. We look to the other side with longing as we stand in an arid land. We step on the raft, become stream-enterers, pole with diligence. A day may come when the green of that far land rises up on every side.
I am thirsty
(Emma Skogstad)
I am thirsty, a pebble,
Stooped and lonely bones
And stone.
I am parched and longing and gone.
I am eating a mango,
Sweet, my life tastes sweet
And meaty.
Communion: fruit drips down my chin.
I am stepping off the raft,
There are no waters
Between the arid and the lush places—
Between thirsty and sated.
There is only a spasm and then expansion,
Forgetting and then remembering,
Distraction and then presence,
Then and then now.
Stooped and lonely bones
And stone.
I am parched and longing and gone.
I am eating a mango,
Sweet, my life tastes sweet
And meaty.
Communion: fruit drips down my chin.
I am stepping off the raft,
There are no waters
Between the arid and the lush places—
Between thirsty and sated.
There is only a spasm and then expansion,
Forgetting and then remembering,
Distraction and then presence,
Then and then now.
I tried to cross the river
(Heather Martin)
Many times, over many years, I tried to cross the river. I had heard and read about the wonders of the other side: the trees straight and tall, the flowers vibrant and scented, the sky far more open than the tiny mind can conceive. The river was so wide that I could see only hazy outlines, but this only made me want to cross more.
When I tried, I would often find myself walking for days and weeks only ankle deep, and the opposite shore never came closer. I tried the kinds of boats other people told me had worked, but they leaked or sank or swirled endlessly in stinking eddies.
Determined, I came across the path to a new spot that I had heard rumors about. I started walking. Soon, very soon, the water was up to my knees. Elated, I rested rarely. The water got higher. As it rose to my waist it got swifter, and I became afraid. I tried to turn back in panic, but I had lost all sense of direction. My feet lost the bottom, I tumbled, and was carried away. I reached for anything to save myself. Some lunatic shouted to me to let go, but I didn't have the luxury of deciding to listen or not - every branch and hand was torn from my grasp in short order. I fought as long as my body would obey me, which was much longer than I would have thought. I had strength I did not know before, amazing strength to hold on to tiny branches with broken fingers, but it was not enough to change anything. I made my best effort even for a long time after I had not a single fiber of muscle left.
I thought about all the people who had drowned before me, and felt a deep kinship with them. I admired both their efforts not to drown, and their acceptance of it happening. How sad, I thought, and how mighty. How beautiful.
And I gave up with my whole heart.
I woke on the shore, soaking wet. I was so thrilled and relieved to be present, anywhere, that for a moment I didn't notice that I was at what seemed to be a narrow place in the river. I could easily see both shores from that one spot. The trees, the flowers, and the sky were shockingly lovely, but absolutely ordinary, and quite obviously precisely the same on both sides of the water.
I laughed and laughed, and still do not know whether I crossed or not.
When I tried, I would often find myself walking for days and weeks only ankle deep, and the opposite shore never came closer. I tried the kinds of boats other people told me had worked, but they leaked or sank or swirled endlessly in stinking eddies.
Determined, I came across the path to a new spot that I had heard rumors about. I started walking. Soon, very soon, the water was up to my knees. Elated, I rested rarely. The water got higher. As it rose to my waist it got swifter, and I became afraid. I tried to turn back in panic, but I had lost all sense of direction. My feet lost the bottom, I tumbled, and was carried away. I reached for anything to save myself. Some lunatic shouted to me to let go, but I didn't have the luxury of deciding to listen or not - every branch and hand was torn from my grasp in short order. I fought as long as my body would obey me, which was much longer than I would have thought. I had strength I did not know before, amazing strength to hold on to tiny branches with broken fingers, but it was not enough to change anything. I made my best effort even for a long time after I had not a single fiber of muscle left.
I thought about all the people who had drowned before me, and felt a deep kinship with them. I admired both their efforts not to drown, and their acceptance of it happening. How sad, I thought, and how mighty. How beautiful.
And I gave up with my whole heart.
I woke on the shore, soaking wet. I was so thrilled and relieved to be present, anywhere, that for a moment I didn't notice that I was at what seemed to be a narrow place in the river. I could easily see both shores from that one spot. The trees, the flowers, and the sky were shockingly lovely, but absolutely ordinary, and quite obviously precisely the same on both sides of the water.
I laughed and laughed, and still do not know whether I crossed or not.
The Film Maker, the Murdered Boy, and a Socratic Dialogue
(Katherine Moore)
“I think it's baby steps to creating a new way to think about race and
economy in St. Louis (as you've pointed out), and it's very important
to show how the local and federal government play into this vicious
cycle of 'flight and blight' and see how we've been encouraged to
stimulate the economy through racist belief systems.”—Morton
wrote in an email to me“I really wanted to research all the dynamics that went into the
phenomenon of white flight in Spanish Lake,” Morton said in a recent
telephone interview from Los Angeles. “I came away convinced that this
is not an issue of race but of class and opportunities.”—Moron
quoted on stltoday.com
“A lot of it is class. A lot of it is politics. Race is one dynamic,
but the appearance of the transition does seem cultural. It does seem
like it is a racial thing.”—Morton on KTVI
“I told you not to trust the guy.”
“You did.”
“He just says whatever he thinks people want to hear.”
“We don’t know that.”
“He tells you that our economy is built on a racist system and he
tells The Post that this ain’t a race thing?”
“He didn’t exactly say the economy was built on a racist system. I
think it was me who said that.”
“That’s why he’s saying something similar to you now. Not because he
believes it, but because he knows that’s what you believe.”
“I don’t think I ever actually said that to him though.”
“Oh for the love of God! Your Facebook is not private!”
“That’s true.”
“He’s a jerk.”
“We don’t know that.”
“We do. People who talk out both sides of their mouths are jerks.”
“All human beings are inconsistent. And besides, we don’t understand
the nature of the inconsistency.”
“Give me one reason why one would say radically different things like
that.”
“Maybe he is being misquoted by The Post.”
“You’re more comfortable calling The Post guy a liar than calling
Morton two-faced?”
“Six of this. Half a dozen the other. I’m just recognizing
possibility.”
“Fine. What about when he was talking to Randi Naughton?”
“He said race was one dynamic. I agree with that.”
“No. He said it SEEMED like a racial thing.”
“It doesn’t seem like a racial thing to you?”
“He means that it SEEMS like a racial thing, but.”
“But it’s a class and politics thing?”
“If The Post writer isn’t a lair, yeah.”
“Ugh. It’s not like I can do anything about it really. I’m actually
more pissed off at this Rob Levy guy anyway.”
“Who?”
“The writer from The Beacon. You see what he wrote about our home?
Apocalyptic ghost town. American dream to American scream. Gag me with
flamboyant language ... Look how good my writing is. I use 10 letter
words and make clever rhymes. My overly-dramatic language doesn’t
negatively affect an entire community at all.”
“There’s 11 letters in Apocalyptic.”
“Whatever.”
“Did you ever ask Morton about the inconsistency?”
“Sort of.”
“What do you mean?”
“I asked him what consequences might arise or not arise by framing the
issue away from racism. If one focus on class and/or lack of
opportunity as ‘the problem’, how might the outcome differ from one in
which racism is the focus of ‘the problem?’”
“What’d he say?”
“He never responded.”
“Of course he didn’t.”
“I can’t fault him. I haven’t answered all my emails yet either... I
have been asking other people the same question though.”
“Who?”
“Erica Huggins.”
“Seriously?”
“She told me that I should ask the question of the film maker and take
things from there.”
“That’s obvious. Why’d you ask her? Seems random.”
“Perspective. See how someone outside of myself would answer the
question. See if maybe I was missing something important.”
“And Erica Huggins knows about Spanish Lake because?”
“I thought she might know something about how racism gets talked about
that maybe I wasn’t considering. Plus she just seems like a kind
person.”
“Who else did you ask?”
“Some ladies on the panel after the Pruitt-Igoe Myth movie.”
“What they say?”
“The first woman to respond was like, ‘It’s a race thing! You saw the
people in the film!’ There was old footage of white people saying
things like, ‘I moved here because it was a white neighborhood. I
don’t want to live here if it gets black quite frankly.’ An older
woman on the panel began to disagree. This upset the first lady who
said something to the effect of, ‘No! We hide behind politics! We hide
behind ideas of economy!’ The older woman spoke up and said that this
did nothing to address the structural issues of the Pruitt-Igoe
buildings ... which is probably true ... Then the politician lady
talked about how lots of people made their careers off Pruitt-Igoe.
She mentioned some PhD’s famed study as an example. All the panelists
scoffed at the mention of his name. She said that by-and-large the
people who profited off Pruitt-Igoe were not African-American people.
She also said that the people of Pruitt-Igoe raised funds to do their
own study or to make their own documentary or something like that.”
“You going to make your own documentary?”
“Buy me a camera. We’ll find out.”
“You ever answer your question for yourself?”
“Yes and no. I’m still processing. I think about the question a lot.
Especially lately with Trayvon’s smiling face staring at me every time
I open my laptop. I think he is an example of the consequence of down-
playing how racism affects the make-up of communities. People are
afraid of Spanish Lake. It’s so dangerous. All these gangsters and
thugs walking around in groups. All these dark-skinned people living
together in a concentrated area. We live in an urban ghetto according
to some and they are scared to come here. And yet this boy walks
through a really nice gated community and gets kill. So what are you
talking about? It makes me angry that white people don’t address the
racism issue more openly. That’s why I’m watching Morton’s words so
closely. I don’t want him to down-play the racism. I don’t want it to
be about just class and lack of opportunity because that’s leaving out
a huge part of things.”
“What about Zimmerman. You think they will arrest him?”
“Yeah. I don’t think he will be found guilty of anything. I remember
Laurence Powell. Somehow this guy seems less scary than Powell.”
“Seems less or SEEMS less, but...”
“Beat a man repeatedly with a stick. Shoot an unarmed boy. Six of
this. Half a dozen of the other. But somehow with Zimmerman, I
empathize with him more. He was paranoid. He had fear. He was scared
of a hooded dark-skinned teenager he didn’t recognize. He trailed the
kid even after 911 told him to stop. That was wrong... But
somehow ... That he had this irrational fear ... it’s the same
fear in many people around us. Zimmerman could have been any one of a
number of people we know. Any one of those people would have been just
doing their best to protect us. Irrationally protecting us.”
“I figured you’d be the first to blast Zimmerman.”
“I too am inconsistent. Today I feel more melancholy than angry. On an
angry day, I probably would bash Zimmerman.”
“What does it all matter anyway? Nothing’s going to change.”
“You don’t believe in the Promised Land?”
“No. I’m not MLK and you’re not MLK. Neither one of us are ever going
to change anything. So why bother?”
“I can’t believe like you. I have to believe differently just to get
out of bed in the morning. I believe we can cross that stream.”
“Stream?”
“Yes ... I quote, ‘There’s a stream to cross and a raft to get us
there. We look to the other side with longing as we stand in an arid
land. We step on the raft, become stream-enterers, pole with
diligence. A day may come when the green of that far land rises up on
every side.’”
“What’s that from?”
“I have no idea. Sounds Buddhist though doesn’t it.”
“Interesting... You’re going to have to give me a good reason to do
anything and that reason can’t be to end racism. I don’t believe that
will ever happen.”
“How about revenge?”
“My interest is peaked.”
“Well, I’m still hating on Rob Levy. I think messing with him would
bring satisfaction.”
“Cyber hack The Beacon?”
“What? No! I was going to say flood his email with lots of positive
images of Spanish Lake.”
“And there goes my interest in your lame revenge plot.”
economy in St. Louis (as you've pointed out), and it's very important
to show how the local and federal government play into this vicious
cycle of 'flight and blight' and see how we've been encouraged to
stimulate the economy through racist belief systems.”—Morton
wrote in an email to me“I really wanted to research all the dynamics that went into the
phenomenon of white flight in Spanish Lake,” Morton said in a recent
telephone interview from Los Angeles. “I came away convinced that this
is not an issue of race but of class and opportunities.”—Moron
quoted on stltoday.com
“A lot of it is class. A lot of it is politics. Race is one dynamic,
but the appearance of the transition does seem cultural. It does seem
like it is a racial thing.”—Morton on KTVI
“I told you not to trust the guy.”
“You did.”
“He just says whatever he thinks people want to hear.”
“We don’t know that.”
“He tells you that our economy is built on a racist system and he
tells The Post that this ain’t a race thing?”
“He didn’t exactly say the economy was built on a racist system. I
think it was me who said that.”
“That’s why he’s saying something similar to you now. Not because he
believes it, but because he knows that’s what you believe.”
“I don’t think I ever actually said that to him though.”
“Oh for the love of God! Your Facebook is not private!”
“That’s true.”
“He’s a jerk.”
“We don’t know that.”
“We do. People who talk out both sides of their mouths are jerks.”
“All human beings are inconsistent. And besides, we don’t understand
the nature of the inconsistency.”
“Give me one reason why one would say radically different things like
that.”
“Maybe he is being misquoted by The Post.”
“You’re more comfortable calling The Post guy a liar than calling
Morton two-faced?”
“Six of this. Half a dozen the other. I’m just recognizing
possibility.”
“Fine. What about when he was talking to Randi Naughton?”
“He said race was one dynamic. I agree with that.”
“No. He said it SEEMED like a racial thing.”
“It doesn’t seem like a racial thing to you?”
“He means that it SEEMS like a racial thing, but.”
“But it’s a class and politics thing?”
“If The Post writer isn’t a lair, yeah.”
“Ugh. It’s not like I can do anything about it really. I’m actually
more pissed off at this Rob Levy guy anyway.”
“Who?”
“The writer from The Beacon. You see what he wrote about our home?
Apocalyptic ghost town. American dream to American scream. Gag me with
flamboyant language ... Look how good my writing is. I use 10 letter
words and make clever rhymes. My overly-dramatic language doesn’t
negatively affect an entire community at all.”
“There’s 11 letters in Apocalyptic.”
“Whatever.”
“Did you ever ask Morton about the inconsistency?”
“Sort of.”
“What do you mean?”
“I asked him what consequences might arise or not arise by framing the
issue away from racism. If one focus on class and/or lack of
opportunity as ‘the problem’, how might the outcome differ from one in
which racism is the focus of ‘the problem?’”
“What’d he say?”
“He never responded.”
“Of course he didn’t.”
“I can’t fault him. I haven’t answered all my emails yet either... I
have been asking other people the same question though.”
“Who?”
“Erica Huggins.”
“Seriously?”
“She told me that I should ask the question of the film maker and take
things from there.”
“That’s obvious. Why’d you ask her? Seems random.”
“Perspective. See how someone outside of myself would answer the
question. See if maybe I was missing something important.”
“And Erica Huggins knows about Spanish Lake because?”
“I thought she might know something about how racism gets talked about
that maybe I wasn’t considering. Plus she just seems like a kind
person.”
“Who else did you ask?”
“Some ladies on the panel after the Pruitt-Igoe Myth movie.”
“What they say?”
“The first woman to respond was like, ‘It’s a race thing! You saw the
people in the film!’ There was old footage of white people saying
things like, ‘I moved here because it was a white neighborhood. I
don’t want to live here if it gets black quite frankly.’ An older
woman on the panel began to disagree. This upset the first lady who
said something to the effect of, ‘No! We hide behind politics! We hide
behind ideas of economy!’ The older woman spoke up and said that this
did nothing to address the structural issues of the Pruitt-Igoe
buildings ... which is probably true ... Then the politician lady
talked about how lots of people made their careers off Pruitt-Igoe.
She mentioned some PhD’s famed study as an example. All the panelists
scoffed at the mention of his name. She said that by-and-large the
people who profited off Pruitt-Igoe were not African-American people.
She also said that the people of Pruitt-Igoe raised funds to do their
own study or to make their own documentary or something like that.”
“You going to make your own documentary?”
“Buy me a camera. We’ll find out.”
“You ever answer your question for yourself?”
“Yes and no. I’m still processing. I think about the question a lot.
Especially lately with Trayvon’s smiling face staring at me every time
I open my laptop. I think he is an example of the consequence of down-
playing how racism affects the make-up of communities. People are
afraid of Spanish Lake. It’s so dangerous. All these gangsters and
thugs walking around in groups. All these dark-skinned people living
together in a concentrated area. We live in an urban ghetto according
to some and they are scared to come here. And yet this boy walks
through a really nice gated community and gets kill. So what are you
talking about? It makes me angry that white people don’t address the
racism issue more openly. That’s why I’m watching Morton’s words so
closely. I don’t want him to down-play the racism. I don’t want it to
be about just class and lack of opportunity because that’s leaving out
a huge part of things.”
“What about Zimmerman. You think they will arrest him?”
“Yeah. I don’t think he will be found guilty of anything. I remember
Laurence Powell. Somehow this guy seems less scary than Powell.”
“Seems less or SEEMS less, but...”
“Beat a man repeatedly with a stick. Shoot an unarmed boy. Six of
this. Half a dozen of the other. But somehow with Zimmerman, I
empathize with him more. He was paranoid. He had fear. He was scared
of a hooded dark-skinned teenager he didn’t recognize. He trailed the
kid even after 911 told him to stop. That was wrong... But
somehow ... That he had this irrational fear ... it’s the same
fear in many people around us. Zimmerman could have been any one of a
number of people we know. Any one of those people would have been just
doing their best to protect us. Irrationally protecting us.”
“I figured you’d be the first to blast Zimmerman.”
“I too am inconsistent. Today I feel more melancholy than angry. On an
angry day, I probably would bash Zimmerman.”
“What does it all matter anyway? Nothing’s going to change.”
“You don’t believe in the Promised Land?”
“No. I’m not MLK and you’re not MLK. Neither one of us are ever going
to change anything. So why bother?”
“I can’t believe like you. I have to believe differently just to get
out of bed in the morning. I believe we can cross that stream.”
“Stream?”
“Yes ... I quote, ‘There’s a stream to cross and a raft to get us
there. We look to the other side with longing as we stand in an arid
land. We step on the raft, become stream-enterers, pole with
diligence. A day may come when the green of that far land rises up on
every side.’”
“What’s that from?”
“I have no idea. Sounds Buddhist though doesn’t it.”
“Interesting... You’re going to have to give me a good reason to do
anything and that reason can’t be to end racism. I don’t believe that
will ever happen.”
“How about revenge?”
“My interest is peaked.”
“Well, I’m still hating on Rob Levy. I think messing with him would
bring satisfaction.”
“Cyber hack The Beacon?”
“What? No! I was going to say flood his email with lots of positive
images of Spanish Lake.”
“And there goes my interest in your lame revenge plot.”
Rafter Held in Suspected Intelligence-gathering Mission
(E. L. Tessier)
HOUSTON%mdash;A man poling a raft on Buffalo Bayou was spotted yesterday by an alert motorist, reported to police and arrested in what authorities suspect was an attempt to gauge the response time of local law enforcement.
The barefoot rafter wore a saffron robe and had a shaved head. Police would not comment on his appearance, saying only that they have entered specifics of the incident into a database containing information about terrorist organizations around the world.
The rafter asked his attorney to issue a statement. Police initially barred its publication, saying it might contain code that could endanger national security. A federal judge overrode the gag order on First-Amendment grounds, paving the way for the statement’s release late last night.
“Every single being, even those who are hostile to us, is just as afraid of suffering as we are, and seeks happiness in the same way we do,” the statement said. “Every person has the same right as we do to be happy and not to suffer. So let's take care of others wholeheartedly.”
E.L. Tessier is the pen name of a writer who practices meditation at the Houston Zen Center with the guidance of Abiding Teacher Gaelyn Godwin.
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