One song

in a multitude of dialects
the register that elephants grumble
the chirps and squeals, the slide of otters 

Not just the song in human hearts
but one uncurling in the heart of ferns
pulsing in the swirl of bees, the sway of nests

whisper-lacing in the white fry of roots 
root clasping root in dark soil crumble
fungus linking soft root hair melody

Above, stars sing, swinging in their patterns
below, molecules cluster and part
and in between, our voices rise

Sand hisses down the slope of dunes
Mice warble in the walls, calling to their partners
Whales pulse their symphonies across the sea

A chimpanzee cradles her child and pants a breath
A human mother cradles hers—la la la lala laha she sings


—Sarah Webb

Where do I take refuge

I take refuge in a God I have no name, no image for
Just a felt sense
As deep within me as deep can get
This refuge on good or hard days
Can feel
Like a breeze trailing
Soft tendrils on my bare skin
Can feel
Like the shift shaping clouds
Following no rules, none
Just pure spontaneity
Feels like awareness
Of how my pain and the world's pain
Sits like a tonnage of weight
On my heart
Cracking it open
To reveal the compassion, tenderness, and wounding
Feels like moments
as they unfold, oh so slowly or scamper by
Refuge in momentary awareness of presence
Refuge in smiles on faces
Voices in connections
That evaporates momentarily
The weight on my heart
Refuge in the day to day tasks
Both mundane and stimulating
Refuge in seeing my broken places
And putting out the welcome mat
Refuge in the hour glass of my life emptying
And knowing that I don't know
Where I will take off when it's done emptying
Yet it will be well, all Well


—Jean Lopez

On Navigation

We move forward
because that’s the only way 
the treadmill runs
the river flows
the sand falls.

We’re all driving west
into the sunset
but do not despair
for the Earth is round
and if you go far enough one way
you come back again
probably not exactly where you started
because of planetary curvature
but there are enough new beginnings 
hatching in even the oldest of souls.

The Big Bang wasn’t one and done
it set off a seemingly infinite
number of small bangs
clanging around in molecules,
and every mathematician 
worth her chalk
knows permutations always have
an exclamation point.

A guru said:
Everything is emptiness
and yet there is still display.
That is how we are—
our core is the hum
of primordial nothingness
and yet
there is so much light
so much sound
so much light.


-Kai Cooley

What I Know About Waiting

Do not mistake stillness for ending.

Seeds spend whole seasons
hidden beneath the earth.

The tide retreats
without explaining itself.

The moon disappears
without asking permission.

Not every unanswered question
is a closed door.

Not every pause
is a loss.

Still—

there are mornings
when the silence feels heavier
than certainty.

Mornings when the map ends
and nothing arrives to replace it.

When the body asks for rest,
is it wisdom?

Or fear?

When the future remains hidden,
is it protecting something,

or withholding it?

Some journeys move
in visible miles.

Others move
in roots.

But how do you recognize growth
when nothing appears to change?

How long do you trust
what is happening beneath the surface?

And what, exactly,
are you waiting for?

And if the door remains closed,
for a month,
a year,
longer—

what part of you
continues planting seeds
anyway?


—Malwina Buldys

A Few Rules, More or Less

when wet, get dry
when cold, get warm
when tired, rest
when the wind blows, bend

when hyper, calm down
when happy, be happy
when sad, be sad
when loving, just love
when hating, see above

when being, just be
always, just be


—Paul Causey

Love is Deathless

I think the trees are exchanging information again.

Not through roots 
but through hesitation.

Every branch holding still
a fraction too long
before surrendering to wind.

This morning the world appeared slightly misaligned:
steam rising sideways from my tea,
a gull circling the parking garage
like it had forgotten the existence of oceans,
my own reflection arriving late
in the dark glass of a storefront.

Maybe love survives this way.

Not dramatically.
Not as monument.
But as a repetition so precise
the universe keeps mistaking it
for one of its physical laws.

The moon pulls water.
Heat bends metal.
Somewhere inside the chest,
something continues
despite every ending placed before it.

Even after the hand releases the hand.

Like the way birds continue singing
during the five seconds after thunder,
as if they hear a door reopening
the rest of us mistake for noise.

Even now,
the flowers on my balcony
close themselves carefully at dusk,
as though darkness
were only another form of listening.


—Malwina Buldys

North of I

Three eagle feathers
crossed oceans before they reached my hands.

One large
two smaller beside it,
like a constellation still remembering
the shape of its own becoming.

Found in Alaska,
carried first toward Hawai‘i,
toward volcanic earth and salt air,
toward the island that once taught me
how to walk barefoot into uncertainty
without losing myself.

But that year
my body became another geography.
Another climate to survive.
And so the feathers waited for me
between worlds—
crossing the Pacific,
crossing absence,
crossing the long interior distance
between who I had been
and who I was becoming.

From Hawai‘i to New York City
they traveled sealed in darkness,
yet arrived carrying sky.

North of I—
there is a place where direction
stops being a map
and becomes listening.
Where the medicine wheel turns inward.
Where east and west dissolve
inside the chambers of the heart.
Where the gravitational hymn
that holds the earth beside the sun
is the same unseen force
that breathes us through grief,
through waiting,
through return.

I think of the eagle
riding invisible currents
it does not question.

I think of how light
sometimes survives by hiding itself
inside the dark.

And I wonder
if these feathers were never meant
to symbolize flight at all,
but trust.

Three quiet witnesses
laid across my palms
one for the body,
one for the spirit,
one for the part of me
still learning
how to navigate
without leaving itself behind.

North of I
there is no arrival.

Only the great inward turning
the moment the soul remembers
it has always been held
by the same forces
that spin galaxies,
lift wings,
and keep even the broken-hearted
in perfect orbit.


—Malwina Buldys

Photo by Emily Romano


Ivory folds of youth
speckle and yellow and bow.
One more drop to earth.
.
.
.

Back again next spring.


—Emily Romano 

Avowals

I thought that if I ran fast enough
at dusk, barefoot
I could escape this plane of existence.

Sometimes consciousness
is a sand burr in your flip-flop,
a bee in your bonnet.

I wanted to meet smart people
who spoke as cleverly as books.

I fell in love with different
versions of myself
teased out by different folks.

I wanted to try out every story
for a minute.
Sometimes a moccasin mile is too far,
let alone a whole incarnated life.

I loved like someone with their hair on fire
behind soundproof glass.

I loved outside the lines
in the coloring book:
in all directions
with too much pressure.

Some days I taste sadness
in a little well
below my collarbone
where I keep my rejection slips
and broken promises,
my dashed hopes
and lost darlings,
but the taste doesn’t make it
to my tongue, my lips.
Laughter burbles up first,
all the quiet miracles to be grateful for.

Why, just yesterday, hundreds of bugs
were crawling over my windows
you can’t imagine the horror,
but I swept them up 
with a song in my heart
because the sun was shining.

It all ends the same
and I’ve been told that’s ok
at the deepest level
from a high enough vantage point.
No half-empty glass
no half-full glass
no glass
only water’s reflection
in the dark that is light.


—Kai Cooley

“Sometimes, the sky drops down to say hello”





photos by Emily Romano

The night we met

There was a time when I tried to separate my life from love.
But I could not. Even though I tried.

In the spring, in the old grove forest.
I witnessed a bodhisattva returning to the world. 
Felt that warmth of a whole heartedness 
in my bones.

Some 26 years ago, on March 15th, in Austin 
on West street at 8pm, 
in a candle lit zendo.
My life turned on a dime. 
Not because I was seeking, 
but I felt my Self found.

Breath of stardust shared the air.
Once refused drops of wisdom water 
were tasted, were remembered. 

I forgot, I was the butterfly and the dream.

Nothing was required
so love returned in me.
As I leaned on the staircase rails
and felt home.
Mythical home, the one they write stories about.

Home, was feeling awe.
Without elevating one thing over another.
Without naming something as sacred and something as not.
Without someone being allowed and someone not.

In the quietness of night
I danced with ancestors
who told me, this is what I meant to say
when I had words.

We have only touched the surface.
We are the fingerprint of trees.
Breathing one self fulfilling samadhi after another.


—Cassy Shoshin

A letter for the heart of the matter

A letter for the heart of the matter
number 61

What was written on a page.
What was written on my heart. 

Stanzas of nature unfolding it’s dreams
like wild flowers in spring
remember to always plant two sunflowers 
during the day they turn toward the sun
but at night they turn to each other.

Isn’t that the way with endarkenment and enlightenment 
I wonder if the birds that plant them know.

Know that this the way.
Spring after winter after fall after summer.
While I walk a road with well worn signs
following a path that has led off the map.

I am a cardboard knight
whose lost the key to their heart.
So I keep it locked, keep it close,
more faithful to the lock than anything else.


Stepping off into the old grove tall trees 
the softness of the carpeted forest floor
muffles all of my thoughts.
Light making it’s way through the leaves above
sparkle and shimmer like gold keys to many doors

When this letter finds you,
read it right away.
Trace the places that form each word,
let the ink run through your fingers
into a river around the rocks.

into the flow


—Cassy Shoshin

“with empty hands I pick up the hoe” ~ Mahasattva Fu

I sit in silence and take backward steps.
In silence I say something.

When staring into a blank wall,  
sometimes I notice what is there.  

And what I bring to the page…the paper I stand on is blank.  
I notice my conditioning but am not lead by it.  
To meet the ground and hoe  
with my thoughts and beliefs set to the side  
or laid down completely.  

How else could I possibly meet you?
If I can only sense a reflection of myself.  
Or create closed and permanent ideas about “other”  

Because creating categories… a shelf of many boxes.    
Categorizing is the root definition of prejudice.

Which may be comforting  
in the vastness of space and time.  
A process that might give me reference points
in order to draw a map.
But it is an illusion of grounded-ness.  
Because it is formed outside myself.
Choose to go deep within
to touch the roots of bodhi tree  
to find your roots.
The ones that connect all of us
then  
float in the realm fragrances.  

In silence I say something.

—Cassy Shoshin