In-between

In-between

to Padraig O Tuama, “in-between the sun and moon”

It’s a fog the wind blows
tatters that stream through my fingers
nameless, gray.

It’s an absence
when I reach for a word
not the Great Forgetting but a small. 

It’s a fear when I open the door
A fear grown pale—the man is dead
under the door only a wind.

It’s a shame that comes sharp
but all of us are gone—the girl I was 
the people I loved, the people I harmed.

It’s blue sky where there were clouds
clouds where there was sun
clouds that shift from elephant to fish.

It’s asking who was to blame
and it’s everyone and no one
lizard on the pavement and the pavement.

It’s saying I should have done better
I should be doing better
and clouds are floating by the window.

It’s my mother in the nursing ward
Are you my daughter?
Was she my mother?

It’s wind, wind over the water
something coming and I can’t say what
something that slackens and comes again full.

The Tao that can be named is not the Tao.
Did Confucius say that
let those words be written down?

Did I write those words here
handed memory to memory
millennia-long mistake?

People are dying—people, a world
and I fear for them, reach for them
but we stream nameless onto the wind.


—Sarah Webb

The song of pencil and paper

Photo by Cassy Shoshin

The song of pencil and paper

dancing with another person’s language
where do words arrive from?
deep in the night lying beside 
mountain wisdom

what brought us here to this moment
beguiled me
we, beside each other

was it love 
or was it longing
maybe boredom

the texture and sound of a soft pencil’s lead
caressing a page, lifting then
softly returning to the next line.
Forming each letter with the intention 
of art blended with love
connecting thoughts with form
and returning to emptiness

Slow movements not demanding something more
or something faster
but with a request 
to be here            now

how free would I be without expectation?
what else would I do without judgment?
who would I be without thinking about who I am?

only returning
return to a / my /our natural state.
a curious moment
that isn’t impatient to all ready know

curiosity births connection
reaches out it’s hand to discover
liquid smooth lead dust
between my fingers

a left behind reminder
of creations
pencil and paper becoming 
the depth of meaning

oh shit !
this is lofty
not messy 
like reality.
I don’t want to idealize 
what happens between you and me
ships that bump in the night
sometimes fight
wanting the right of way

it’s the whole of the Way
that defines connection

what am I longing for
so much longing
ear to ground

who is listening?
to the song of pencil and paper
that satisfies the itch by scratching across a page
and lives in the deep breath of
the sound of you sigh

—Cassy ShoShin

Barn Lost, Mountain Found

You know the Japanese poem
about his barn, burnt down
now
allowing Masahide
to see the moon?
Here is me saying
when I could not get enough air
into my lungs
inside a building,
I shivered outside beneath a sky
salted with stars.
I drank the Milky Way
and hitched my hopes to meteor 
before the steady countenance of a mountain.
Even as I suffered
my spirit bowed down in wonder
at beauty vast—
that I came from that
and have eyes to see.

—Kai Cooley

Prompt : Are we living inside a poem?

Photo by Cassy ShoShin

Most assuredly yes, 
but only when I take time…make time.. 
claim time.

Experience a moment, 
hold it in my hand 
like a single grain of sand in an undisguisable shore. 

How far does the road of Practice go? 
I feel the invitation of distance lands 
from within 
and with you.

I never imagined being here, 
in the spaces between stanzas 
in a pause between the rhythm of breath. 

The first candlelit night I met a teacher of zen, 
no I encountered untethered presence. 
with a “What is that exclamation !” 

Loud in a quiet place. 
26 years and I am still loud in a quiet place 
but there is a lot more space now. 

Space for others 
Space for understanding self and what moves in us. 
Space understanding an other 
Space until I don’t know the difference between us.
 
Space to take up the dance of words 
with aspen leaves from the valley of cloud mountain. 
Catching light 
Flickering back moments 
Sparkling champagne bubbles 

To hold your hand as we feel the two four rhythm of nature’s waltz 
when one song ends and when another song begins. 

soft echo 
loud bell 


—Cassy ShoShin
On Solstice 2025

I Am Here Now

I am here now
breathing a little slower
listening
for something older
than memory —
patient in the waiting
to be
beyond remembering,
to be 
original again. 
I am here now
but sleeping, 
folded inside this ancient knowing
waiting 
to be waking
softly
as morning light on still water
to finally be
only gentleness


—Ed Sancious

The Long Work

in the end there will be only one essential story
--Ire’ne lara Silva

It was a burning—the rind, the straw burnt away.
I hoed the garden, sweat down my eyes, 
and held on as cramps came,
in my legs, in my faith.

It was holding too long to the false,
the delusion of a perfect life, a perfect self.
They burned anyway, a house
that fell to ash and stone.

It was failing and failing.
So much I tried to keep to—
success and plan and doing right—
smolders now gray to the wind.

It was holding on and holding on, persisting,
long days on the cushion as I sat in the heat
and pain bent me and the mind roused—

but wasn’t that practice too a mechanism of self?
 
Even so, muscle and bone are strong.
They keep on walking, though I do not know the road.
I cannot do what I was called to do.
Yet it may still be done. 

It is love walking with me, 
brushing through grass.
Stems rise, wrong-headed and kindly,
love looking again and forgiving.

It is meals served and floors swept,
tears dried and tomatoes watered.
It is the truth spoken, sideways and straight.
It is asking and forgetting to ask.

It is an opening here in the heart
and something comes through.
Over and over that door opens.
It is greeting what comes.


—Sarah Webb

Things I love #2025

9 am in La Villita 
Mayans rinse the streets
Water flows from hoses
Above in trees the bird chatter
crackles the air, stuffs it with gossip,
a hit song you’ll never hear on a radio
amidst commercials for insurance and ice cream
Turn the corner in October
You’ll see
38.5 feet Catrinas 
















Photo by Emily Romano

The woman skeleton on the left
Extends a butterflied finger
She towers on the shoulders of generations
the living and the dead 
It’s what makes the city bloom:
the birds, the butterflies, the water, the families
we all fall from the tightrope above
this city is the net that catches our fear,
bounces it back up into joy 
spanning borders, united in this moment
in this turning of the corner
in La Villita, on a crisp October day.
















Photo by Emily Romano


—Emily Romano

The Daisies of Good and Bad

This spring, flowers sprang up in my front yard and grew fast, deep scalloped leaves and yellow petals. I knew them—cowpen daisies, wildflowers that appear in disturbed soil. I also knew that if I did not keep up with them, they would take over—appealing now, a shaggy, insect-ridden mess later. But life was full, and I neglected the task.



Photo by Sarah Webb

I was busy with the garden I’d planted inside the gate away from the deer and the road: peppers and cucumbers, pots and vines and sturdy plants. I enjoyed getting up early and watering the pots of green leaves, the swelling Bell peppers so green and sculptural. Small butterflies floated above my pots, lovely with black and white and a flame of orange and yellow down the wing.
One day, leaving the gate, I brushed against a daisy as tall as I was and crowded with black caterpillars. Ugh! Were they in my hair? Webbed and drying leaves made me shrink back. These would have to go! 

 

      


















Photo by Amanda Webb
     
I came back with a shovel and extracted a few of the most infested plants, ones with whole branches laden with black crawlies, but the patch filled half the lawn and caterpillars were starting all through it. Were they going to migrate into the rose bushes? into my peppers? I walked the ones I’d dug up across the road to the brush where the deer slept and left them there to propagate or be eaten. I looked uneasily at the mass that remained.
That night I sat down at my computer, worried for my garden. Would I have to get those daisies out ASAP? Black caterpillars cowpen daisies were my search terms. A result popped up immediately: If you’re lucky enough to have cowpen daisies in Central Texas, maybe you’ll be lucky enough to host the Painted Lady butterflies that they host. Images followed: my lovely butterflies, the yellow of the daisies, the spiky black caterpillars I was so alarmed about. A circle of life! exclaimed the article. The daisies fed the caterpillars who turned into Painted Ladies and laid their eggs in the drying leaves. 
I went out to look, and sure enough, a hovering butterfly was a Painted Lady and the caterpillars on the elegant green leaves had stripes down their sides just like in the article. I had my own circle of life. 













Photo by Sarah Webb

Here is a photo of my lovely caterpillars on my lovely daisies, which I am leaving all across my lawn.





















Photo by Sarah Webb

—Sarah Webb

Untitled

Holding others despair while living my life :
I want to share in the magnitude of this global pain 
Particularly you Gaza
Despair for what you endure daily 
I stand with you in solidarity 
Letting you know through nameless energy 
That this what you face is wrong and evil 
As anything ever was, or is
And there’s been a lot of wrong and evil 
Perpetuated by us, this human race 
And yet not withstanding the horrors 
In my day to day life 
I am blown open to the sacredness of presence 
The many tasks of living ground me
The moments of deep connection 
The way nature splays, and splashes 
Unchecked 
Her abundance of light, color and life
I don’t know how to stand 
In the fullness of my life 
With it’s pain and plenty 
Without belying the agony of yours 
I don’t know how to uphold both
This upended world 
Along side nothing changing 
Just now in my daily life

—Jean Lopez

Fall

Within the thunder of the waterfall, I am the rocks within.
Victoria Falls, Seongo or Chongwe, “The Place of the Rainbow.”
Pummeled by liquid, pounded by gravity, 
I depend on rain, on the breeze, on the rush of a red-necked falcon’s wings.
Prisms of mist lift from great sheets of water jumping over the edge
5,600 feet down, look up to the decades rushing into the present.
Funny how something so soft dropped high enough, fast enough
batters a rock and like a paper bark tree I grow smooth and I bend.
I am pliant, like clay.
I learn everyday.


—Emily Romano

Bad

 



— Kim Mosley

Possibilities

Beneath the evening’s veil of hazy twilight
lies a world of contradictions,
yin and yang, in circling harmony,
constantly changing, rearranging
lives with hardly any notice.
It doesn’t take much to see it, only awareness,
awareness that anything is possible,
that there truly are blue birds with red breasts
and a yellow beak,
that fairies with small gossamer wings
dart from one flower to another,
replenishing each with sweet nectar
for the bees to make their honey,
for the hummingbirds to hum.
It’s not hard to see beneath the veil.
It only requires us to remember
the child within us when make-believe
was real, when truth be told was still relevant.


—Paul Causey

Stone Knows

stone
knows its place 

in dark, in sun
everywhere

still,
it lets things move

jackrabbit blurs
so fast, stone doesn't see him

men can join stone to stone
stack a wall, set a path

walls fall and paths tilt
but stone is willing

what does it matter 
this fleeting touch?


—Sarah Webb