dress rehearsal



dress rehearsal
for dying leaves—
Monarch butterfly


—Melanie Alberts

To our Cat Mika


I'm sorry you had to leave, Mika,
I think you were ready, stumbling splay-legged, 
no place soft enough to rest your bony body,
though we fought hard to keep you,
to say no to the shot that set you still at last.

Set you still and set you free.

Just days before you died
we took you to the trees beside the lake.
Waves splashed the rocks below, 
amber-clear and full of light, 
the air, too, full of light
slanting from the rise and fall of the water,
a shimmer of possibility
that jostled into being and subsided.
The leaves glistened, rich,
each acorn cap, cactus nub, full of meaning.

You lay on the leaf drift
above a ledge of red grit sandstone
in the sound of the waves and the wind off the water,
and I thought this is what heaven is like,
thought this is what my father's death was like that day, 
why I knew before I climbed the stair that he had gone.

Thank you for that, that glimpse.
We can call it heaven or the primal void
or the vast bright water that brings forth cats and men and stars.
All I know is that it shines.




Beyond Pickleweed, with appreciation to Peter Coyote


pickleweed
haberdashery

incremental
amphibious
momentous
miniature
albatross
hullaballoo
foppish
lardycake
avuncular
smithereens
words between
underneath
just beyond
other words
words words words
all the way down
a name of a thing
we take as a
bona fide
a characterization
we take for 
character
but beyond
the mouth feel
and mind grab
there is 
no thing
no name
no form
no sight, no sight consciousness
no sound, no sound consciousness
no suffering, no ending of suffering
no birth, no death
no being, no non-being
useful
            and abused
beautiful
            and harsh
transported on a 
magical carpet
of words
gone now
gone
to the other shore
fat crows
in the picklewood
skedaddle!


—Nandiya Nyx

Bumblebees


So very long ago
there were bumblebees here
slow and ponderous
like old World War II cargo aircraft
buzzing through the skies.

They loved the asters and the frostweed
the goldeneye and palafoxia.
In the prairies
the bluestem rose tall,
turning terra cotta in the cold.
The switchgrass massive and light,
interwoven with the fall air.
The Indiangrass bringing its yellow flames 
to the darkening colors of the autumn.

The big bumbly bumblebees
flew slow from blossom to blossom
slurping up nectar,
muddling in the pollen with their big bumbly feet, 
tracking it everywhere they flew,
to the joy and delight of the flowers.

They were here with their cousins, 
the solitary bees.
Ascetic, tiny, sipping like anorexics.
But still the pollen grains on their feet,
transferring them to new flowers 
to cycle life into the next season.

So very long ago
there weren’t any honeybees.
Those upstart European imports, soft,
needing amenities and care.
There were just the wild prairies
grown over ancient seas,
the savannah trees intermittent and burn-hardened.

Then the honeybees came
and elbowed their way into the frostweed and goldeneye
but still there was enough
and all lived together.

Then we came, European, soft, needing amenities.
And, too smart for our own good, we discovered too much
in the name of science and progress and commerce.
How to clear the land with the napalm of the bulldozers and shredders.
How to kill the weeds with carcinogens
that seeped their dark death to the innocent grasses.
How to kill the bees with neonicotinoids
and find their little bodies, stiff and dead, by the water.

The bumblebees grew fewer and fewer,
and as I tended my land, I found less and less of them,
buzzily muddling their way into the flowers.
But I gardened organic, banned the potent ugly toxins
on my little piece of land, and hoped.

In the last year or two, they have started to return.
All sizes: huge snuffling hogs of bumblebees
Medium moderate bumblebees
and even diminutive daintyish ones, though still
unmistakably squarish and bumbly.

The honeybees live here too, in their hive by the edge of the woods,
underneath the spinning fan sculptures.
But they do not fight the bumblebees 
or harass the little solitary ones.
There is goldeneye and aster enough for all, 
and frostweed enough even for the monarchs and emperors
when they migrate through.

It won’t be so significant when I am gone
but I love to think of the bumblebees
and hope I played a tiny part
in their going on.


—Elayne Lansford

I Want


I don't want to be afraid.
I don't want resentment.
I don't want anger.
I don't want to feel helpless.
And yet when you stop me,
that is all I can feel.

I don't want to pray.
“Please keep me alive.
Let me survive
Please lord!
Let me go back home
to my own.”

I want to feel safe,
like you, and him, and her.
I want to be me
and still be safe.
I want you to see me.
I want you to accept me
With all my differences.

I don't want you to be my predator.
I want you to be my protector.
I want you,
yes, you.
You in blue.
I want you to see me
as one of your own.
I want you to let me breathe.

—S. Swan

A Blessing for the Dark

You asked, What will I do
when I am wild and lonely
and you are not there?
What will I do in that dark?

I will give you a blessing
folded tight for that time.

No, you will not see me—
oh, passing in the street perhaps
as I have seen my brother, 

in dreams, for sure, as I have talked 
to my father at a restaurant table—

but that does not mean that I am not there.

If you speak to me, I will answer.
You will feel my words warm in your heart
as if I had said, I‘m right here,
as if I had put my hand in yours and kept it there

and you will know what I would have said—
what I am saying—
through the shift in the light,
the flick of your cat‘s ear,

through memory, yes,
but by the rush, too, of blood through you,
your softening.

When you think there‘s no way to go on,
know that I sit beside you
silent, but loving you,

that I see how strong you are
as you let yourself steady,

as you choose carefully.

And when you find ones you love,
ones who love you,
I am inside their love,
part of their laugh, their playful pounce,
their hand in yours.

A mound of potatoes, this blessing,
a flower on a spiraling vine,
your breath easing in the soft dark.
Give it to someone hungry.
Give it to yourself.


Language of Place

“To be native to a place, we must learn to speak its language.”
Braiding Sweetgrass by Robin Wall Kimmerer

When I came into this world,
        I was not a native to this land.
At the time, I knew no language,
        no words, thoughts, ideas,
                or even concepts of meaning.
        But I grew and listened and learned.

I spent the next 60 plus years
        learning a language that for all intents and purposes
                barely scratches the surface
                        of communication between people,
        much less with the life
                that surrounds us on this earth.

What good is a language
        where people cannot agree
                on common acts of decency?
        Where a human race can know for certain
                that its existence is not in peril
                        of annihilating each other
                                because we can’t communicate.

What good is a language
        that holds no truth
                to be self-evident?
        For all people?

Perhaps I expect too much of a language
        and not enough of those who speak it.
                Perhaps I just haven’t learned
                        the right words.

I have been told
        there is great wisdom
                in listening,
        and in truth, there is great peace in just that.
                Sitting, listening, breathing.
                        Is there a better language?

The true natives of this land,
        the hawk, the deer, the bear,
                all the lives not human,
        know of a simpler way of living, communicating
                and we still don’t know what they are saying.
                        We don’t have a clue.

Perhaps one day
        we’ll learn.    Perhaps.

Has anyone seen a pig fly?


—Paul Causey

Word Wreck

You sat next to me, in the car, describing
loudly, about how outrageous the 
posting is, accusing you of being careless
by traveling during these pandemic times.

I asked how long has this person 
known you, and you responded 
“I only met her once.” I suggested
you could just ignore her, or consider
that perhaps she doesn’t know another
way to say she cares about you.

My words agitate you further and
yelling, you say there is no reason to 
continue to talking to me, I can stop 
and let you out of the car. 

This is the first time you have spoken
to me like this ~ how did we get to this
intersection ~ wrecking any opportunity
for dialogue, conversation?

The silence that settles between us
feels like a balm, yet too weak to 

ease my feelings. I breathe into myself,
I breathe into you. 

I let the words of silence to say
what there is no room to say, 
no way to say, to speak into your pain, 
and mine.


—Martha Ward

Delight

S. Swan reading “Delight”
  
Every time, I say, I am happy, 
I feel embarrassed, 
as if I didn’t have the right  
to enjoy my own life. 

I live in a furnace, 
I know that. 
How could I forget the pain 
I live in? 

But that’s just it! 
I have lost so so much 
that I appreciate  
so so much more 
what I still have. 

To be able to see 
the blue sky  
with a cloud, 
being caressed by sunlight, 
brings joy to my soul. 

Being able to cuddle up 
with my purring kitty cats. 

Being able to laugh 
in a conversation with a friend. 

Being able to move, 
walk and talk, 
read, write,  
and most of all,  
create. 

The point is, 
I say to myself, 
“You can’t feel happy  
when you’re feeling so much pain. 
You’re supposed to feel utterly depressed. 
You are in so much pain, 
you should be screaming!” 

But that’s just it. 
I am surrounded and tortured by flames. I am suffering so much already, 
that it would be a pity 
to not be able to take delight  
in the beauty of life. 


—S. Swan
  
S. Swan discussing ”Delight”

Oxman Cenote

After a year of lockdown, after getting our jabs, my husband and I pack our carry-on bags and fly
to Cancun. To swim in some of the Yucatan peninsula’s cenotes is more tempting to us than
strolling through museums, so we buy snorkels and seek out sinkholes which were sacred to the
Mayan people: one, a freshwater pool on the edge of the ocean; another, a cave where bats dart
barely above our heads; and an ancient river supported by mangroves, home to an elusive
alligator named Panchito. The deepest of all at nearly 150 feet is the Oxman cenote outside of the
pueblo magico of Valladolid. We descend 73 steps to the water of a collapsed cave, its walls lined with the impossibly long roots of trees that guard the upper edge of the cenote. At the water
level, chattering crowds of life-vested swimmers line up on a dock to grab the rope swing and
propel themselves in. Some are adept at holding on, others drop quickly as their grips slip.
Around the perimeter, lifelines of the trees dangle and dip into the cool blue water.

What are they reaching for?

The word is grounded—
one tree offers
one hundred roots

Mayans valued cenotes for rituals of sacrifice, where the otherworld was accessed as easily as
diving in and opening the eyes. Before arriving in Valladolid, before our first snorkel trip, we
spend ten days in Akumal where I paint on the beach. Each morning, while crews shovel
sargassum, the smelly seaweed piling up on the shore, I open my travel watercolor set and
unscrew the brush from the reservoir tube. I dip the tube into the sea rushing at my ankles, fill it
with salt water to convert the brackish pyramids of seaweed into wreaths. I don’t care for
elevating sargassum; I want to point out how we construct barriers to our sense of peace. I want
to capture the transient beauty of these blooms we earthbound tourists call a “natural disaster.”

Walking towards water—
my memory stops
at the first wave

I’m six and planted in the surf of a beach in the Florida Keys. My family is who-knows-where,
all there is before me is the gently rushing water, the warm sandbed, and a horizon that hints at
all possibilities.

Roots traverse soil
waves erode the sands—
we are nourished

This 58 year old body lines up behind giggling kids who push off from the rope-swing dock with
ease. Toes gripping the platform, I eye the rope guided by a middle-aged guy working for tips
from anyone with a pocket of spare centavos. I build up my nerve and notice that as I grab the
rope, the chattering din around me quiets down...oh, great. Let’s watch the old lady crash and
burn! I take a breath and swing as far as the rope lets me, turn slightly, and drop into the surface.
This win is marred by water rushing up my nose. I surface, snort, and hear the voices resume
their excited pace. This feat closes the afternoon. Next morning, my husband and I wake up early
enough to have Oxman cenote to ourselves. We dive in, float on our backs as a family of
swallows call to each other, making connections between their perches in the dangling roots.
Above our heads, nothing more miraculous than a day begins.

Nature is a moment
of endless beauty—
birdsong etches the clouds


—Melanie Alberts

Turning to Silence

It is a time of turning.
A time when
nothing is as it was,
despite our wishes for 
it to be otherwise.
We have no choice
but to let life unfold
as it will, hard as
it may seem
to bear and accept.

And so we turn
to each other
for comfort
in the knowledge
that we are not
in fact alone.
And we fall
into silence 
as words prove
to be inadequate.

But it is precisely 
the arms
of Silence
that can best hold 
our sorrow and pain
For Silence makes no demands
and is ever present for us,
ready to hold the heart
that has been hollowed 
out by the river of grief.

And so, we sit in silence
holding each other and being held.


—Laurie Winnette