This is What It Sounds Like

Footsteps crunch down winter’s dead, gray grass
Mourning dove wings whistle flight, alarm
These grey-necked birds with blushing breasts 
balance on a rickety fence, turn one black eye.

Invaders advance, take what has died, kill what still lives. 
The doves take flight.
There is something in that crunch they know,
a sound that slams all doors and hearts.
It hammers hard.

They’ve spent the day in flight, these doves
from tree to tree, house to house.
They’ve sat in nests, they’ve hunted specks of bugs and seeds.
Wobble in a maze of city streets and long, tall grasses.
They watch and wait.

A freeze descends,
a freeze that grins and rips the chest wide open.
This is a chill that loves a feast, 
a chill that nibbles first then hacks its arms,
then chokes and vomits on its tail.

This chew, this gnaw,
these sounds hiss, hurry away.
The boot-stepped weight that crushes leaves and blades,
the howl of dog, the wheels that groan along cement,
the distant pops of guns,
the clink and hiss, the metal canisters of gas.

Since start of light, a dove must stay alive.
From dinosaur claw, to small ball of fluff, 
egg to egg, 
sun to sun
dusk to dusk.
Alarm’s vocabulary assembled
in push of suns, in waxing, waning moons.

Today its time.
We lurch our eyes to monster’s ram on door, tackled body to a ground. 
A gentle dove must pull the air and sing with wings
an honest song: I am afraid, I don’t want to die, I have to flee.

A calculus of centuries fires circuits in a brain.
A dove does, what doves do.
Its fluttering flights sing a little while it flees.
A Prince once sang
This is what it sounds like when the doves cry
He could have sang about the color of his skin,
about the badge and guns on fat men’s hips.

But no, he sang about the sound, 
the stirring wings, the cooing songs, 
a world that’s so cold, 
the sound of fear, 
the wretched flight. 

To that Prince I raise a glass 
I hear the clinking swirl of ice
I swallow the bitter liquid
I place the frosted cup down
I move with the crowd towards the light.


—Emily Romano, AuD

Holding Hands

This morning I joined my nephew and our neighbor Dee on the grass between our houses. We were glad to be outside in the sunshine after the ice storms. Dee told me what had been happening—my nephew already knew, but all I’d heard was a cryptic note my daughter read me from Facebook: “Back from the hospital, waiting test results.” While the rest of us had hunkered down inside our houses, grateful that the electricity had held, Dee and Tom had been negotiating the highway from Cedar Park and our long country road over packed sleet and then packed ice.
Bad weather was predicted, but it hadn’t hit yet when it all started. Tom felt odd after a game of pickleball at the Y and sat down on a bench. He said, “Call 9901” just before the alert system in his heart shocked him and a moment later shocked him again and he lost consciousness. The ambulance took him straight to the hospital in Cedar Park and tests and retests and arguments between doctors. How much could his kidneys take if they did this procedure? What about that one? Then it was back and forth for more testing over the ice between hospital and hotel. 
The man minding the hospital parking lot explained to Dee at length about driving on ice, protective and grandfatherly, but he cared, was doing what he could for people already stressed and low on sleep and worried. He gave them the same overprotective advice the next night when they left for home, but she didn’t mind. And perhaps it was needed—as they stopped at the light at 281 and 29 in Burnet a big pickup blew past them through the red light and fishtailed half a block before speeding on.
A few hours after our conversation, my nephew came over and fixed my faucet leaks. While he was struggling with the plumbing I baked cookies that I’d saved in the freezer. He beamed. A wrench and some cookies and grandfatherly advice, none of it can change the realities of change and loss, but we don’t have to face them alone.

—Sarah Webb

In-between

In-between

to Padraig O Tuama, “in-between the sun and moon”

It’s a fog the wind blows
tatters that stream through my fingers
nameless, gray.

It’s an absence
when I reach for a word
not the Great Forgetting but a small. 

It’s a fear when I open the door
A fear grown pale—the man is dead
under the door only a wind.

It’s a shame that comes sharp
but all of us are gone—the girl I was 
the people I loved, the people I harmed.

It’s blue sky where there were clouds
clouds where there was sun
clouds that shift from elephant to fish.

It’s asking who was to blame
and it’s everyone and no one
lizard on the pavement and the pavement.

It’s saying I should have done better
I should be doing better
and clouds are floating by the window.

It’s my mother in the nursing ward
Are you my daughter?
Was she my mother?

It’s wind, wind over the water
something coming and I can’t say what
something that slackens and comes again full.

The Tao that can be named is not the Tao.
Did Confucius say that
let those words be written down?

Did I write those words here
handed memory to memory
millennia-long mistake?

People are dying—people, a world
and I fear for them, reach for them
but we stream nameless onto the wind.


—Sarah Webb

The song of pencil and paper

Photo by Cassy Shoshin

The song of pencil and paper

dancing with another person’s language
where do words arrive from?
deep in the night lying beside 
mountain wisdom

what brought us here to this moment
beguiled me
we, beside each other

was it love 
or was it longing
maybe boredom

the texture and sound of a soft pencil’s lead
caressing a page, lifting then
softly returning to the next line.
Forming each letter with the intention 
of art blended with love
connecting thoughts with form
and returning to emptiness

Slow movements not demanding something more
or something faster
but with a request 
to be here            now

how free would I be without expectation?
what else would I do without judgment?
who would I be without thinking about who I am?

only returning
return to a / my /our natural state.
a curious moment
that isn’t impatient to all ready know

curiosity births connection
reaches out it’s hand to discover
liquid smooth lead dust
between my fingers

a left behind reminder
of creations
pencil and paper becoming 
the depth of meaning

oh shit !
this is lofty
not messy 
like reality.
I don’t want to idealize 
what happens between you and me
ships that bump in the night
sometimes fight
wanting the right of way

it’s the whole of the Way
that defines connection

what am I longing for
so much longing
ear to ground

who is listening?
to the song of pencil and paper
that satisfies the itch by scratching across a page
and lives in the deep breath of
the sound of you sigh

—Cassy ShoShin

Barn Lost, Mountain Found

You know the Japanese poem
about his barn, burnt down
now
allowing Masahide
to see the moon?
Here is me saying
when I could not get enough air
into my lungs
inside a building,
I shivered outside beneath a sky
salted with stars.
I drank the Milky Way
and hitched my hopes to meteor 
before the steady countenance of a mountain.
Even as I suffered
my spirit bowed down in wonder
at beauty vast—
that I came from that
and have eyes to see.

—Kai Cooley

Prompt : Are we living inside a poem?

Photo by Cassy ShoShin

Most assuredly yes, 
but only when I take time…make time.. 
claim time.

Experience a moment, 
hold it in my hand 
like a single grain of sand in an undisguisable shore. 

How far does the road of Practice go? 
I feel the invitation of distance lands 
from within 
and with you.

I never imagined being here, 
in the spaces between stanzas 
in a pause between the rhythm of breath. 

The first candlelit night I met a teacher of zen, 
no I encountered untethered presence. 
with a “What is that exclamation !” 

Loud in a quiet place. 
26 years and I am still loud in a quiet place 
but there is a lot more space now. 

Space for others 
Space for understanding self and what moves in us. 
Space understanding an other 
Space until I don’t know the difference between us.
 
Space to take up the dance of words 
with aspen leaves from the valley of cloud mountain. 
Catching light 
Flickering back moments 
Sparkling champagne bubbles 

To hold your hand as we feel the two four rhythm of nature’s waltz 
when one song ends and when another song begins. 

soft echo 
loud bell 


—Cassy ShoShin
On Solstice 2025